I

“COME CLOSER, YOU KNOW YOU WANT IT TOO, WE´LL GIVE EACH OTHER A LOT OF PLEASURE

DO IT ROUGH OR GENTLY, HOWEVER YOU WANT IT, THAT’S HOW I WANT IT TOO, HOW YOU HOLD

ENTER ME, I WANT TO FEEL YOU FROM THE INSIDE, I KNOW YOU LIKE IT DIRTY

NEVER STOP LOOKING AT ME LIKE THAT, GIVE ME WHAT I DESERVE, I BEG YOU, IN MY

ME, NOBODY BUT YOU AND YOUR BEAUTIFUL EYES, BABY, THIS IS HEAVEN

YOU WANT, ARE THE REASON FOR MY CREVICE, I KNOW YOU’RE GONNA DO IT RIGHT

NO ONE, NO ONE CAN DO IT BETTER THAN YOU, WE’RE NEVER GONNA STOP

COFFEE SHOP, IN THE SUBWAY, AT YOUR PLACE ON THE KITCHEN TABLE, ON THE

BABY, IF YOU WANT, LET’S DO A GANGBANG, I’M OPEN FOR EVERYTHING

DEEPER, NOW FROM BEHIND, MY HOT SNATCH IS SCREAMING FOR YOU, YOUR

IT TOO, DARLING, COME ON, DO IT NASTY, USE ME, STICK IT IN MY

NEVER STOP, HOW GOOD YOU SPREAD MY SWEET SLIT, I’VE BEEN WAITING SO

ONE, IT’LL NEVER END, YOU MAKE ME SO DIRTY, PLEASE, I WANT YOU TO”

extract english translation of  Für Zwei Seiten  (I/II)



II
2x a 1,50x3,06m print on PVC-transparent canvas  
exhibition view, Kunstraum Niederösterreich, 2016

I
print on double page
artist book Re-
ed./ curated by Franz Thalmair



‘Für Zwei Seiten’ (engl. ‘For Two Pages’) is a comment on objectification and vocalization in contemporary, average pornography. The reification and reduction of human pleasure to it´s slit(s), which wants to be filled by penetration, is here collaged and lead ad absurdum. The text, which is extracted and composed from porn language out of easily accessible videos and erotic magazines, refers directly to the objects slit (I: the book joint / II: the space between the two curtains) and is asking to „never stop the penetration“. Visitors need to pass through the curtain to enter the exhibition. Traces of grease stay after each person grabs the transparent fabric and mark the slit. In order to properly read the text, visitors need to go in and out, as the left curtain is hanging back-to-front.